File:Canal, Giovanni Antonio (Canaletto) - Return of the Bucentoro to the Molo on Ascension Day, c. 1733-4. Royal Collection Buckingham Palace.jpg

原始檔案(1,251 × 770 像素,檔案大小:196 KB,MIME 類型:image/jpeg


摘要

加納萊托:​Venice: The Bacino di San Marco on Ascension Day  wikidata:Q19660618 reasonator:Q19660618
作家
加納萊托  (1697–1768)  wikidata:Q182664 q:it:Canaletto
 
加納萊托
別名
出生名:Giovanni Antonio Canal 化名:Il Canaletto
描述 義大利畫家、​蝕刻家、​平面設計師以及建築繪圖員
出生/逝世日期 1697年十月7日 / 1697年十月17日 / 1697年十月18日 / 1697年 在維基數據編輯 1758年四月19日 / 1768年四月10日 / 1768年四月19日 / 1768年四月20日 / 1768年 在維基數據編輯
出生/逝世地點 威尼斯 威尼斯
作品年代 從1716年到1768年
date QS:P,+1750-00-00T00:00:00Z/7,P580,+1716-00-00T00:00:00Z/9,P582,+1768-00-00T00:00:00Z/9
創作地點
威尼斯 (1716–1719), 羅馬 (1719), 維也納, 德累斯頓市, 威尼斯 (1720–1746), 倫敦 (約1746–1756), 威尼斯 (約1756–1768)
權威檔案
creator QS:P170,Q182664
 在維基數據編輯
image of artwork listed in title parameter on this page
標題
英文:
The Bacino di San Marco on Ascension Day 在維基數據編輯
title QS:P1476,en:"The Bacino di San Marco on Ascension Day 在維基數據編輯"
label QS:Len,"The Bacino di San Marco on Ascension Day 在維基數據編輯"
label QS:Lit,"Venezia: Bacino di San Marco bel giorno dell'Ascensione"
label QS:Lfr,"Venise: le bacino di San Marco le jour de l'Ascension"
label QS:Lde,"Venedig: Bacino di S. Marco am Himmelfahrtstag"
label QS:Lnl,"Venetië: Bacino di San Marco aan hemelvaartsdag"
物體類型 畫作 在維基數據編輯
藝術類型 景觀畫 在維基數據編輯
描述
English: bucentaur after the ceremony for the Sposalizio del Mar, the Wedding of the Sea, held on Ascension Day and thus otherwise known as the Festa della Sensa. Venice’s principal annual ceremony was of uncertain origin: it commemorated, according to one tradition, the sailing on Ascension Day in the year 1000 of a war fleet to assert Venetian power along the Istrian coast; according to another, the gift of a ring by Pope Alexander III to Doge Sebastiano Ziani - the greatest of Venice’s medieval doges - to sanction Venice’s authority in the Adriatic, in gratitude for Ziani’s support for the Pope against the Holy Roman Emperor, Frederick Barbarossa (Pope and Emperor were reconciled in San Marco on Ascension Day 1177). The Bucintoro was rowed in procession out of the lagoon into the Adriatic, where the Doge cast a ring blessed by the Patriarch into the waters, symbolising the marriage of Venice to the sea. The Bucintoro depicted here was to be the last, constructed in 1728-9 and crowded with gilded wooden allegorical sculptures by Antonio Corradini. After the fall of Venice to Napoleon’s army in 1797, the upper part of the Bucintoro was burnt to recover the gold, after which the Austrians armed the hulk with cannon and placed it to guard the entrance to the lagoon. It was finally broken up in its birthplace, the Arsenale, in 1824. The view is taken from some way out in the Bacino, directly in front of the Zecca, the south façade of which is seen to the left together with the Libreria. Beyond is the Campanile, shortened to fit it into the painting (four small windows serving the staircase running up the shaft should be visible). In the Piazzetta is the marquee of the Ascension Day market, clearly regarded as an integral part of the festival. Beyond are the Torre dell’Orologio and the south flank of San Marco, with the western dome reduced in size and moved eastwards to be largely obscured by the Palazzo Ducale. To the right of the Palazzo Ducale (much diminished in width) are the Prigioni and Palazzo Dandolo (today the Hotel Danieli); moored to the left of the Bucintoro with its oars raised is the fusta, the Doge’s usual single-masted galleon.
日期 約1733年~1734年間
date QS:P,+1733-00-00T00:00:00Z/8,P1319,+1733-00-00T00:00:00Z/9,P1326,+1734-00-00T00:00:00Z/9,P1480,Q5727902
 在維基數據編輯
表現方法 油彩帆布上方 在維基數據編輯
尺寸 高度:​76.8釐米 在維基數據編輯;​寬度:​125.4釐米 在維基數據編輯
dimensions QS:P2048,+76.8U174728
dimensions QS:P2049,+125.4U174728
institution QS:P195,Q1459037
目前所在位置
登錄號
RCIN 404417 (皇室收藏) 在維基數據編輯
物件歷史 約瑟夫·史密斯; from whom bought by 喬治三世
展覽史
備註
English: Canaletto probably first depicted the scene in a drawing of 1729, below, and the composition was painted many times by the artist and his followers. This version must have been painted at around the same time as its companion piece. This pair is much larger than the other twelve views on the Grand Canal, and were engraved as the final two plates of Visentini's Prospectus Magni Canalis Venetiarum (Venice, 1735), thus providing an uncontested date for completion. Visentini's engravings are based on Canaletto's series of Grand Canal views which were all at one time in the collection of Joseph Smith and are now in the Royal Collection.
參考文獻
來源/攝影者 Web Gallery of Art:   圖像  Info about artwork
其他版本

(same painting)

English:
much larger than the other twelve views on the Grand Canal. Canaletto probably first depicted the scene in a drawing of 1729, and the composition was painted many times by the artist and his followers. This version must have been painted at around the same time as its companion piece; engraved as the final two plates of Visentini’s ‘Prospectus Magni Canalis Venetiarum’ (Venice, 1735), Bucentaurus et Nundinae (market) Venetae in die Ascensionis, the overall title of the Prospectus referred only to the Ascension Day market


原始上傳日誌

The original description page was here. All following user names refer to en.wikipedia.
  • 2005-10-25 02:16 Honbicot 1251×770× (200539 bytes) ''Return of the Bucentoro to the Molo on Ascension Day'' by [[Canaletto]], 1732. [[Royal Collection]], [[Windsor Castle|Windsor]].

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此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
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本作品在其來源國以及其他版權期限是作者逝世後100年或以下的國家與地區屬於公有領域


這個作品在美利堅合眾國屬於公有領域,因為它首次發布早於1929年1月1日,或於該日期之前在美國著作權局登記。

維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。

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資料大小 Chinese (Hong Kong) (已轉換拼寫)

200,539 位元組

770 像素

1,251 像素

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目前2010年4月13日 (二) 15:42於 2010年4月13日 (二) 15:42 版本的縮圖1,251 × 770(196 KB)File Upload Bot (Magnus Manske) {{BotMoveToCommons|en.wikipedia|year={{subst:CURRENTYEAR}}|month={{subst:CURRENTMONTHNAME}}|day={{subst:CURRENTDAY}}}} {{Information |Description={{en|''Return of the Bucintoro to the Molo on Ascension Day'' by en:Canaletto, 1732. [[:en:Royal Colle

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