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| 作者 | 书名 | 内容 | |
|---|---|---|---|
| 戈登erwin esiah gordon | 1945 | Some Early Ideals in Chinese Literary Criticism | 原道 |
| 休斯（E. R . Hughes） | 1951 | the art of Letter | 原道 |
| 施友忠 | 1959 | The Literary Mind and the Carving of Dragons | 全译 |
| 杨宪益、戴乃迭 | 1962 | Carving a Dragon at the Core of Literature | |
| 唐纳德·阿瑟·吉布斯（Donald Arthur Gibbs) | 1970 | Literary Theory in the Wen-hsin Tiao-Lung | 原道 |
| （匈牙利）托克Ferenc Tökei | 1971 | Genre Theory in China in the 3 rd－6 th Centuries: Liu Hsieh's Theory on Poetic Genres | |
| 刘若愚 | 1975 | Chinese Theories of Literature | |
| 费威廉（Fisk William Craig） | 1976 | Formal Themes in Medieval Chinese and Modern Western Literary Theory: Mimesis, Intertextuality, Figurativeness, and Foregrounding | 二千多字 |
| 黄兆杰 | 1983 | 《早期中国文学批评》 | 序志、神思 |
| 彼德（PETeＲb w | 1990 | Classicism in China and Europe: A Comparative Study of Aristotle's ( 384 － 322 B． C． ) Poetics and Liu Xie's ( 465 － 522A． D． ) Wenxin
Diaolong) |
12篇 |
| 宇文所安 | 1992 | 《中国文论读本》 | 20篇 |
| 黄兆杰、卢仲衡、林光泰 | 1999 | The Book of Literary Design | 全译 |
| 蔡宗齐 | 2002 | Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary Criticism | 节译3篇 |
| 杨国斌 | 2003 | Dragon-Carving and the Literary Mind | 全译 |
| 王佐良 | 2003 | 翻译：思考与试笔 | 明诗、才略 |