使用者:Ghren/工作區68
| 作者 | 書名 | 內容 | |
|---|---|---|---|
| 戈登erwin esiah gordon | 1945 | Some Early Ideals in Chinese Literary Criticism | 原道 |
| 休斯（E. R . Hughes） | 1951 | the art of Letter | 原道 |
| 施友忠 | 1959 | The Literary Mind and the Carving of Dragons | 全譯 |
| 楊憲益、戴乃迭 | 1962 | Carving a Dragon at the Core of Literature | |
| 唐納德·阿瑟·吉布斯（Donald Arthur Gibbs) | 1970 | Literary Theory in the Wen-hsin Tiao-Lung | 原道 |
| （匈牙利）托克Ferenc Tökei | 1971 | Genre Theory in China in the 3 rd－6 th Centuries: Liu Hsieh's Theory on Poetic Genres | |
| 劉若愚 | 1975 | Chinese Theories of Literature | |
| 費威廉（Fisk William Craig） | 1976 | Formal Themes in Medieval Chinese and Modern Western Literary Theory: Mimesis, Intertextuality, Figurativeness, and Foregrounding | 二千多字 |
| 黃兆傑 | 1983 | 《早期中國文學批評》 | 序志、神思 |
| 彼德（PETeＲb w | 1990 | Classicism in China and Europe: A Comparative Study of Aristotle's ( 384 － 322 B． C． ) Poetics and Liu Xie's ( 465 － 522A． D． ) Wenxin
Diaolong) |
12篇 |
| 宇文所安 | 1992 | 《中國文論讀本》 | 20篇 |
| 黃兆傑、盧仲衡、林光泰 | 1999 | The Book of Literary Design | 全譯 |
| 蔡宗齊 | 2002 | Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary Criticism | 節譯3篇 |
| 楊國斌 | 2003 | Dragon-Carving and the Literary Mind | 全譯 |
| 王佐良 | 2003 | 翻譯：思考與試筆 | 明詩、才略 |