File:Japan, Kamakura period - Fujiwara no Muchimaro - 1983.5 - Cleveland Museum of Art.tif
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此TIF文件的JPG预览的大小:370 × 599像素。 其他分辨率:148 × 240像素 | 296 × 480像素 | 474 × 768像素 | 633 × 1,024像素 | 1,266 × 2,048像素 | 4,871 × 7,881像素。
原始文件 (4,871 × 7,881像素,文件大小:109.85 MB,MIME类型:image/tiff)
摘要
匿名:Fujiwara no Muchimaro
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艺术家 | ||||||||||||||||||||||||
标题 |
Fujiwara no Muchimaro |
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物体类型 |
画作 object_type QS:P31,Q3305213 |
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艺术类型 |
宗教艺术 ![]() |
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描述 |
Fujiwara no Muchimaro (680-737) was a member of the elite Fujiwara family, which had close ties to Japan's imperial family. This portrait of Muchimaro shows him in distinguished court attire with a sword at his side, and a tablet denoting his authority in his hands. He sits elevated upon tatami matting with a decorated silk border. The boughs of wisteria appearing in the background symbolize his status as a Fujiwara family member. Above his head is an image of the Buddha Dainichi Nyorai (Sanskrit: Mahavairocana) seated within a golden-bordered disc on a lotus pedestal. The Buddha has flaming head and body mandorlas. The deity's identity is confirmed by his headdress, which features the representation of the Five Wisdom Buddhas, and his hand gesture, the Wisdom Fist mudra. Documents contained in the painting's box shed light on the history of this image. First, they reveal that at one time the painting was owned by Viscount Suematsu Kench? (1855-1920), a journalist, politician, and historian of the Meiji (1868-1912) and Taish (1912-1926) periods. One of the documents is a letter sent in 1909 to Suematsu from Mikami Sanji (1865-1939), a historian at the Tokyo Imperial University, now Tokyo National University. In the letter, Mikami relates that he has been informed by a colleague that a painting of similar date and iconography is in the collection of the temple Eizanji in Nara. He notes that the Eizanji painting differs in that it includes an ink inscription attributed to Muchimaro, and that Dainichi Nyorai is depicted in the form of a Sanskrit seed syllable, rather than in corporal form. Further, he notes that the Eizanji painting is included in an Edo period (1615-1868) woodblock-printed manual of Japanese art entitled Ten Types of Ancient (Objects) (Shuko jisshu). A second letter addressed to Suematsu from Hijikata Hisamoto (1833-1918), who was at the time the head of the Japanese Art Society (Nihon bijutsu ky?kai), indicates that this painting was shown in the 43rd exhibition of the Society in 1909. Muchimaro is known as the founder of the Eizanji, the Shingon School Buddhist temple that was once a branch temple of the powerful temple Kofukuji in Nara. The principal deity of veneration at Eizanji's main hall is the Buddha Yakushi Nyorai (Sanskrit: Bhaisajyaguru), but that of the Octagonal Hall built in honor of Muchimaro is a seated figure of Dainichi Nyorai. This painting would seem to assert that Muchimaro is an avatar of Dainichi Nyorai. The representation of Muchimaro in this painting is indeed close to that of the Eizanji painting, but the inclusion of the figure of Dainichi Nyorai makes this painting an interesting iconographical variant. In addition, while the Eizanji painting shows a landscape behind Muchimaro, this painting features a profusion of wisteria. An image of Muchimaro in a similar pose appears in Matsudaira Sadanobu's (1759-1829) 1795 Compendium of Ancient Paintings (Koga ruiju). |
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日期 | 1200s or 1300s | |||||||||||||||||||||||
表现形式 | Hanging scroll; ink, color, gold, and cut gold on silk | |||||||||||||||||||||||
尺寸 | Overall: 141.3 x 87 cm (55 5/8 x 34 1/4 in.); with knobs: 210.2 x 112.4 cm (82 3/4 x 44 1/4 in.) | |||||||||||||||||||||||
藏于 |
institution QS:P195,Q657415 |
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现存地点 |
Japanese Art |
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登录号 |
1983.5 |
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创作地点 | Japan, Kamakura period (1185-1333) | |||||||||||||||||||||||
荣誉行 | Leonard C. Hanna, Jr. Fund | |||||||||||||||||||||||
参考 |
https://clevelandart.org/art/1983.5 ![]() |
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来源/摄影师 | https://clevelandart.org/art/1983.5 |
许可协议
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本作品采用知识共享CC0 1.0 通用公有领域贡献许可协议授权。 |
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http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
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This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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当前 | 2019年3月27日 (三) 03:59 | ![]() | 4,871 × 7,881(109.85 MB) | Madreiling | pattypan 18.02 |
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相机制造商 | Sinar Photography AG |
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相机型号 | Sinar CMV/ Sinarback eXact |
作者 | Howard Agriesti |
曝光时间 | 39/2,500秒(0.0156) |
感光度(ISO) | 50 |
数据生成日期时间 | 2015年3月19日 (四) 14:34 |
宽度 | 4,871 px |
高度 | 7,881 px |
每色彩组分位数 |
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压缩方案 | 未压缩 |
像素构成 | RGB |
图像数据位置 | 19,514 |
方向 | 正常 |
色彩组分数 | 3 |
每带行数 | 7,881 |
每压缩带字节数 | 115,165,053 |
水平分辨率 | 300 dpi |
垂直分辨率 | 300 dpi |
数据排布 | 大块格式 |
使用软件 | Adobe Photoshop CC 2014 (Windows) |
文件修改日期时间 | 2015年4月9日 (四) 16:33 |
曝光程序 | 未定义 |
Exif版本 | 2.21 |
APEX快门速度 | 6 |
测光模式 | 未知 |
光源 | 未知 |
闪光灯 | 闪光灯未点亮 |
色彩空间 | sRGB |
曝光模式 | 自动曝光 |
白平衡 | 自动白平衡 |
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