File:Japan, Kamakura period - Fujiwara no Muchimaro - 1983.5 - Cleveland Museum of Art.tif
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此 TIF 檔案的 JPG 預覽的大小:370 × 599 像素。 其他解析度:148 × 240 像素 | 296 × 480 像素 | 474 × 768 像素 | 633 × 1,024 像素 | 1,266 × 2,048 像素 | 4,871 × 7,881 像素。
原始檔案 (4,871 × 7,881 像素,檔案大小:109.85 MB,MIME 類型:image/tiff)
摘要
匿名:Fujiwara no Muchimaro
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作家 | ||||||||||||||||||||||||
標題 |
Fujiwara no Muchimaro |
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物體類型 |
畫作 object_type QS:P31,Q3305213 |
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藝術類型 |
宗教藝術 ![]() |
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描述 |
Fujiwara no Muchimaro (680-737) was a member of the elite Fujiwara family, which had close ties to Japan's imperial family. This portrait of Muchimaro shows him in distinguished court attire with a sword at his side, and a tablet denoting his authority in his hands. He sits elevated upon tatami matting with a decorated silk border. The boughs of wisteria appearing in the background symbolize his status as a Fujiwara family member. Above his head is an image of the Buddha Dainichi Nyorai (Sanskrit: Mahavairocana) seated within a golden-bordered disc on a lotus pedestal. The Buddha has flaming head and body mandorlas. The deity's identity is confirmed by his headdress, which features the representation of the Five Wisdom Buddhas, and his hand gesture, the Wisdom Fist mudra. Documents contained in the painting's box shed light on the history of this image. First, they reveal that at one time the painting was owned by Viscount Suematsu Kench? (1855-1920), a journalist, politician, and historian of the Meiji (1868-1912) and Taish (1912-1926) periods. One of the documents is a letter sent in 1909 to Suematsu from Mikami Sanji (1865-1939), a historian at the Tokyo Imperial University, now Tokyo National University. In the letter, Mikami relates that he has been informed by a colleague that a painting of similar date and iconography is in the collection of the temple Eizanji in Nara. He notes that the Eizanji painting differs in that it includes an ink inscription attributed to Muchimaro, and that Dainichi Nyorai is depicted in the form of a Sanskrit seed syllable, rather than in corporal form. Further, he notes that the Eizanji painting is included in an Edo period (1615-1868) woodblock-printed manual of Japanese art entitled Ten Types of Ancient (Objects) (Shuko jisshu). A second letter addressed to Suematsu from Hijikata Hisamoto (1833-1918), who was at the time the head of the Japanese Art Society (Nihon bijutsu ky?kai), indicates that this painting was shown in the 43rd exhibition of the Society in 1909. Muchimaro is known as the founder of the Eizanji, the Shingon School Buddhist temple that was once a branch temple of the powerful temple Kofukuji in Nara. The principal deity of veneration at Eizanji's main hall is the Buddha Yakushi Nyorai (Sanskrit: Bhaisajyaguru), but that of the Octagonal Hall built in honor of Muchimaro is a seated figure of Dainichi Nyorai. This painting would seem to assert that Muchimaro is an avatar of Dainichi Nyorai. The representation of Muchimaro in this painting is indeed close to that of the Eizanji painting, but the inclusion of the figure of Dainichi Nyorai makes this painting an interesting iconographical variant. In addition, while the Eizanji painting shows a landscape behind Muchimaro, this painting features a profusion of wisteria. An image of Muchimaro in a similar pose appears in Matsudaira Sadanobu's (1759-1829) 1795 Compendium of Ancient Paintings (Koga ruiju). |
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日期 | 1200s or 1300s | |||||||||||||||||||||||
表現方法 | Hanging scroll; ink, color, gold, and cut gold on silk | |||||||||||||||||||||||
尺寸 | Overall: 141.3 x 87 cm (55 5/8 x 34 1/4 in.); with knobs: 210.2 x 112.4 cm (82 3/4 x 44 1/4 in.) | |||||||||||||||||||||||
藏於 |
institution QS:P195,Q657415 |
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目前所在位置 |
Japanese Art |
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登錄號 |
1983.5 |
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創作地點 | Japan, Kamakura period (1185-1333) | |||||||||||||||||||||||
取得方式/備註 | Leonard C. Hanna, Jr. Fund | |||||||||||||||||||||||
參考文獻 |
https://clevelandart.org/art/1983.5 ![]() |
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來源/攝影者 | https://clevelandart.org/art/1983.5 |
授權條款
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此檔案在創用CC CC0 1.0 通用公有領域貢獻宣告之下分發。 |
在此宣告之下分發本作品者,已依據各國著作權法,在全世界放棄其對本作品所擁有的著作權及所有相關相似的法律權利,從而將本作品貢獻至公有領域。您可以複製、修改、分發和演示該作品,用於任何商業用途,所有這些都不需要請求授權。
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
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This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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著作權狀態 繁體中文 (已轉換拼寫)
保有知識產權並由其所有者公開於公有領域 繁體中文 (已轉換拼寫)
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日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
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目前 | 2019年3月27日 (三) 03:59 | ![]() | 4,871 × 7,881(109.85 MB) | Madreiling | pattypan 18.02 |
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相機製造商 | Sinar Photography AG |
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相機型號 | Sinar CMV/ Sinarback eXact |
作者 | Howard Agriesti |
曝光時間 | 39/2,500 秒 (0.0156) |
ISO 速率 | 50 |
資料產生的日期時間 | 2015年3月19日 (四) 14:34 |
寬度 | 4,871 px |
高度 | 7,881 px |
每像素位元 |
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壓縮方式 | 未壓縮 |
像素合成 | RGB |
影像資料位置 | 19,514 |
方位 | 標準 |
像素數量 | 3 |
每帶行數 | 7,881 |
每壓縮帶位元組數 | 115,165,053 |
水平解析度 | 300 dpi |
垂直解析度 | 300 dpi |
資料排列 | 矮胖格式 |
使用軟體 | Adobe Photoshop CC 2014 (Windows) |
檔案修改日期時間 | 2015年4月9日 (四) 16:33 |
曝光模式 | 未定義 |
Exif 版本 | 2.21 |
APEX 快門速度 | 6 |
測光模式 | 不明 |
光源 | 不明 |
閃光燈 | 閃光燈未開啟 |
色彩空間 | sRGB |
曝光模式 | 自動曝光 |
白平衡 | 自動白平衡 |
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