宫崎骏所获荣誉列表
维基媒体列表条目
宫崎骏（日语：宮崎 駿，1941年1月5日出生）是一位日本电影导演、制片人、编剧、动画师、作家和漫画家。作为吉卜力工作室的联合创始人，他因其出色的叙事能力和动画长片制作而在国际上获得赞誉[2][3][4]。他的作品以不断出现的进步主题为特点，例如女权主义、环保主义、和平主义、爱情和家庭[5][6][7]。在他的电影中，主角通常是坚强的女孩或年轻女性，且多部作品中的反派具有道德上的模糊性和可取之处[8][9][10]。
 宫崎骏出席2008年威尼斯电影节 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 获奖数 | 142 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 提名数 | 207 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
在整个的职业生涯中，宫崎骏获得过多项奖项和提名。他最早执导的故事片《鲁邦三世 卡里奥斯特罗之城》和《风之谷》分别让他于1979年和1984年获得每日电影奖的大藤信郎奖。他制作的电影《天空之城》于1986年荣获日本动画大奖最佳动画奖，而《龙猫》则于1989年荣获日本蓝丝带奖特别奖。1990年，他凭借《魔女宅急便》获得多个奖项，包括金像奖最佳日本电影奖和日本电影学院奖特别奖。《红猪》还在1993年获得了每日电影奖最佳动画片奖。
《幽灵公主》是宫崎骏第一部获得日本电影学院奖年度最佳影片奖的动画电影；它在西方市场的发行大大提高了吉卜力工作室在日本以外的知名度和影响力。2001年，宫崎骏的电影《千与千寻》获得了第75届奥斯卡金像奖最佳动画片奖。2004年他所拍摄的电影《哈尔的移动城堡》以及2009年电影《悬崖上的波妞》获得了多个奖项，包括东京动画奖的年度动画奖，并且两部作品均获得了安妮奖最佳剧情片导演奖的提名。2013年上映的电影《起风了》也斩获了多项大奖，其中包括日本电影学院奖年度最佳动画奖，以及第71届金球奖最佳外语片提名。《哈尔的移动城堡》和《起风了》分别获得第78届和第86届奥斯卡金像奖最佳动画片提名。宫崎骏因其对动画和电影的影响于2014年11月荣获奥斯卡荣誉奖。他于2023年制作上映的电影《你想活出怎样的人生》获得了众多奖项，其中就包括2024年第96届奥斯卡金像奖最佳动画长片奖。
执导的动画长片
编辑《鲁邦三世 卡里奥斯特罗之城》
编辑电影《鲁邦三世 卡里奥斯特罗之城》于1979年12月15日在日本上映。[11]
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 每日电影奖 | 1979 | 大藤信郎奖 | 获奖 | [12] |
《风之谷》
编辑《风之谷》于1984年3月11日上映。该片票房收入14.8亿日元，另外还赚取了7.42亿日元的发行收入。[13]
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 动漫大奖 | 1984 | 最佳动漫 | 获奖 | [14] |
| 电影旬报奖 | 1984 | 读者评选年度日本电影导演 | 获奖 | [15] |
| 年度最佳影片 | 亚军 | |||
| 每日电影奖 | 1984 | 大藤信郎奖 | 获奖 | [16] |
《天空之城》
编辑| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 动漫大奖 | 1986 | 最佳动漫 | 获奖 | [18] |
| 电影旬报奖 | 1986 | 年度最佳影片 | 亚军 | [19] |
| 每日电影奖 | 1986 | 大藤信郎奖 | 获奖 | [16] |
《龙猫》
编辑《龙猫》于1988年4月16日上映。虽然该片在票房上表现一般，但商品推销却很成功，并获得了评论界的好评。[20][21]
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 蓝丝带奖 | 1989 | 特别奖 | 获奖 | [22] |
| 电影旬报奖 | 1989 | 最佳日本电影 | 获奖 | |
| 读者评选年度日本电影导演 | 获奖 | [23] | ||
| 每日电影奖 | 1989 | 最佳影片 | 获奖 | [22] |
| 大藤信郎奖 | 获奖 | [24] |
《魔女宅急便》
编辑《魔女宅急便》于1989年7月29日首播。该片票房收入达21.5亿日元[25]，成为1989年日本票房最高的电影[26]。
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 动漫大奖 | 1990 | 最佳动漫 | 获奖 | [27] |
| 日本电影学院奖 | 1990 | 特别奖 | 获奖 | [28] |
| 电影旬报奖 | 1990 | 读者评选年度日本电影导演 | 获奖 | [29] |
| 年度最佳影片 | 亚军 | |||
| 每日电影奖 | 1990 | 最佳动画片 | 获奖 | [24] |
《红猪》
编辑《红猪》于1992年7月18日上映。这部电影获得了商业上的成功，并连续几年成为日本票房最高的电影之一。[30]
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 安锡国际动画电影节 | 1993 | 最佳影片 | 获奖 | [31] |
| 电影旬报奖 | 1993 | 年度最佳影片 | 亚军 | [32] |
| 每日电影奖 | 1993 | 最佳动画片 | 获奖 | [12] |
| 日刊体育电影大奖 | 1993 | 石原裕次郎奖 | 获奖 | [33] |
《幽灵公主》
编辑《幽灵公主》于1997年7月12日上映。该片在票房上获得了巨大的成功，连续几个月成为日本票房最高的电影[34][a]。该片在西方市场上映后票房表现并不理想，仅获得约230万美元票房收入[35]。
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 安妮奖 | 2000 | 动画片导演杰出个人成就奖 | 提名 | [36] |
| 蓝丝带奖 | 1998 | 特别奖 | 获奖 | [37] |
| 报知电影奖 | 1997 | 特别奖 | 获奖 | [38] |
| 日本电影学院奖 | 1998 | 最佳影片奖 | 获奖 | [39] |
| 文化厅媒体艺术祭 | 1997 | 动画类大奖 | 获奖 | [40] |
| 电影旬报 | 1998 | 读者评选年度日本电影导演 | 获奖 | [41] |
| 年度最佳影片 | 亚军 | |||
| 每日电影奖 | 1998 | 最佳动画片 | 获奖 | [24] |
| 最佳影片 | 获奖 | [42] | ||
| 读者选择奖 – 最佳影片 | 获奖 | |||
| 星云奖 | 2001 | 最佳剧本 | 提名 | [43] |
| 日刊体育电影大奖 | 1997 | 最佳导演 | 获奖 | [44] |
| 石原裕次郎奖 | 获奖 | |||
| 东京体育电影大奖 | 1997 | 最佳导演 | 获奖 | [45] |
《千与千寻》
编辑《千与千寻》于2001年7月20日上映，获得了评论界的一致好评，被认为是21世纪最伟大的电影之一[46]。该片在商业上也取得了成功，票房收入达304亿日元（约合2.891亿美元）[47]。该片成为日本当时票房最高的电影[48]，并保持这一纪录近20年[b]。
《哈尔的移动城堡》
编辑《哈尔的移动城堡》于2004年11月20日上映，获得了广泛好评。在日本，该片上映首周票房收入达到创纪录的1,450万美元[90]。该片当前仍是日本票房最高的电影之一，全球票房超过193亿日元[91]。
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 奥斯卡金像奖 | 2006 | 最佳动画片 | 提名 | [92] |
| 安妮奖 | 2006 | 剧情片导演 | 提名 | [93] |
| 最佳故事片编剧 | 提名 | |||
| 评论家选择电影奖 | 2006 | 最佳动画片 | 提名 | [94] |
| 好莱坞电影奖 | 2005 | 年度动画 | 获奖 | [95] |
| 香港电影金像奖 | 2006 | 最佳亚洲电影 | 提名 | [96] |
| 文化厅媒体艺术祭 | 2004 | 动画优秀奖 | 获奖 | [97] |
| 每日电影奖 | 2005 | 读者选择奖 – 最佳影片 | 获奖 | [98] |
| 星云奖 | 2007 | 最佳剧本 | 获奖 | [99] |
| 纽约影评人协会 | 2005 | 最佳动画片 | 获奖 | [81] |
| 在线影评人协会 | 2006 | 最佳动画片 | 提名 | [94] |
| 圣地牙哥影评人协会 | 2005 | 最佳动画片 | 获奖 | [94] |
| 卫星奖 | 2005 | 最佳动画或混合媒体 | 提名 | [94] |
| 土星奖 | 2006 | 最佳动画片 | 提名 | [100] |
| 西雅图国际影展 | 2005 | 金太空针奖 | 亚军 | [101] |
| 锡切斯电影节 | 2004 | 观众奖 – 最佳剧情片 | 获奖 | [50] |
| 最佳影片 | 提名 | |||
| 东京动画奖 | 2005 | 年度动画 | 获奖 | [102] |
| 最佳导演 | 获奖 | |||
| 威尼斯电影节 | 2004 | 杰出技术贡献金奥塞拉奖 | 获奖 | [103] |
| 金狮奖 | 获奖 | [104] |
《悬崖上的波妞》
编辑《悬崖上的波妞》于2008年7月19日上映。这部电影也取得了商业上的成功，上映首月票房收入达100亿日元（9,320万美元）[105]，到2008年底票房收入达155亿日元，成为日本票房最高的电影之一[106]。
| 奖项 | 年份 | 类别 | 结果 | 引据 |
|---|---|---|---|---|
| 安妮奖 | 2010 | 剧情片导演 | 提名 | [107] |
| 亚洲电影大奖 | 2009 | 最佳导演 | 提名 | [108] |
| 芝加哥影评人协会 | 2009 | 最佳动画片 | 提名 | [109] |
| 香港电影金像奖 | 2010 | 最佳亚洲电影 | 提名 | [110] |
| 日本电影学院奖 | 2009 | 年度动画 | 获奖 | [111] |
| 在线影评人协会 | 2010 | 最佳动画片 | 提名 | [112] |
| 东京动画奖 | 2009 | 最佳国产影片 | 获奖 | [113] |
| 最佳导演 | 获奖 | |||
| 最佳原创故事 | 获奖 | |||
| 年度动画 | 获奖 | |||
| 威尼斯电影节 | 2008 | 未来电影节数字奖 | 提名 | [114] |
| 米莫·罗特拉基金会奖 | 获奖 | |||
| 金狮奖 | 提名 | |||
| 华盛顿特区影评人协会 | 2009 | 最佳动画片 | 提名 | [115] |
《起风了》
编辑《起风了》于2013年7月20日首映[116]，并获得评论界一致好评。该片在商业上也取得了成功，日本票房收入达116亿日元（1.1亿美元），成为2013年日本票房最高的电影。[117]
《你想活出怎样的人生》
编辑《你想活出怎样的人生》于2023年7月14日首映[150]，并获得评论界一致好评[151]。该片获得了商业上的成功，首映周末票房收入达到18亿日元，成为吉卜力工作室历史上首周末票房最高的作品[152]。
执导的动画短片
编辑| 奖项/组织 | 年份 | 类别 | 作品 | 结果 | 引据 |
|---|---|---|---|---|---|
| 每日电影奖 | 2002 | 大藤信郎奖 | 《捕鲸记》 | 获奖 | [191] |
参与编剧作品
编辑| 奖项/组织 | 年份 | 类别 | 作品 | 结果 | 引据 |
|---|---|---|---|---|---|
| 安妮奖 | 2013 | 动画片制作中的写作 | 《来自红花坂》 | 提名 | [192] |
个人奖项和荣誉
编辑| 奖项/组织 | 年份 | 类别 | 作品 | 结果 | 引据 |
|---|---|---|---|---|---|
| 安妮奖 | 1998 | 温瑟·麦凯奖 | 不适用 | 获奖 | [193] |
| 威尼斯电影节 | 2005 | 终身成就金狮奖 | 不适用 | 获奖 | [103] |
| 圣地亚哥国际漫画展 | 2009 | 墨水瓶奖 | 不适用 | 获奖 | [194] |
| 内阁府 | 2012 | 文化功劳者 | 不适用 | 获奖 | [195] |
| 东京体育电影大奖 | 2013 | 特别奖 | 不适用 | 获奖 | [45] |
| 学院主席奖 | 2014 | 奥斯卡荣誉奖 | 不适用 | 获奖 | [196] |
| 世界奇幻奖 | 2019 | 终身成就奖 | 不适用 | 获奖 | [197] |
| 拉蒙·麦格塞塞奖基金会 | 2024 | 拉蒙·麦格塞塞奖 | 不适用 | 获奖 | [198] |
脚注
编辑注释
编辑引文
编辑- ^ 部分颁奖组织不只给一位获奖者颁奖，即设立冠军、亚军和季军。由于这种情况不等于落败，故这类奖项的亚季军亦计入获奖总数。部分大奖的奖项没有事先公布名单，仅由评审团公布结果。为避免内容出错复杂化，列表中的所有大奖会假定设有提名名单。
- ^ Wong (2016).
- ^ Bose (2021).
- ^ Egan (2017).
- ^ Noviana (2020).
- ^ McCarthy (2019).
- ^ Schellhase (2014).
- ^ Loy & Goodhew (2004)，第68页.
- ^ Reinders (2016)，第181页.
- ^ Romano (2013).
- ^ McCarthy (1999)，第50页.
- ^ 12.0 12.1 Animations (2008).
- ^ Kanō (2006)，第65–66页.
- ^ Animage (1985).
- ^ Kinenote (1984).
- ^ 16.0 16.1 Pangilinan (2013)，第163页.
- ^ Miyazaki (2009)，第44页.
- ^ Animage (1987).
- ^ Cinema 1987.
- ^ McCarthy (1999)，第118页.
- ^ Camp & Davis (2007)，第227页.
- ^ 22.0 22.1 Chua (2016).
- ^ Kinenote (1988).
- ^ 24.0 24.1 24.2 24.3 Kelly (2019)，第1508页.
- ^ Gaulène (2011).
- ^ Hairston (1998).
- ^ Lenburg (2012)，第54页.
- ^ Japan Academy Film Prize (1990).
- ^ Kinenote (1989).
- ^ McCarthy (1999)，第208页.
- ^ Akimoto (2014).
- ^ Kinenote (1992).
- ^ Kanō (2006)，第56页.
- ^ 34.0 34.1 Ebert (1999).
- ^ Kelly (2022).
- ^ International Animated Film Association (2000).
- ^ Hochi Shimbun (1998).
- ^ Hochi Shimbun (1997).
- ^ CBS News (2014).
- ^ Japan Media Arts Festival (1997).
- ^ Kinenote (1997).
- ^ Mainichi Shimbun (1997).
- ^ Locus (2011a).
- ^ Nikkan Sports (1997).
- ^ 45.0 45.1 Tokyo Sports.
- ^ Dietz (2010).
- ^ Sudo (2014).
- ^ 48.0 48.1 Brzeski (2020).
- ^ Howe (2003b).
- ^ 50.0 50.1 50.2 50.3 Avery (2006)，第70页.
- ^ Abramovitch (2021).
- ^ Asociación de Productores y Realizadores de Cine del Uruguay (2004).
- ^ AllCinema (2001).
- ^ 54.0 54.1 Heller (2002).
- ^ BBC News (2004).
- ^ British Independent Film Awards.
- ^ Godfrey (2003).
- ^ Screen Daily (2003).
- ^ Académie des Arts et Techniques du Cinéma (2003).
- ^ Westhoff (2003).
- ^ 61.0 61.1 Edmunds (2002).
- ^ Schwartz (2008)，第283页.
- ^ Macdonald (2003a).
- ^ Philpot (2003).
- ^ Bruno (2002).
- ^ Filmweb (2002).
- ^ Film Critics Circle of Australia.
- ^ Persall (2003).
- ^ Hong Kong Film Awards (2002).
- ^ Hugo Awards (2003).
- ^ International Horror Guild.
- ^ Howe (2003a).
- ^ Japan Media Arts Festival (2001).
- ^ Komatsu (2017).
- ^ Kinenote (2001).
- ^ Dams (2003).
- ^ King (2002b).
- ^ Mainichi Shimbun (2001).
- ^ King (2002a).
- ^ Nebula Awards (2003).
- ^ 81.0 81.1 81.2 Feinberg (2014).
- ^ Karten (2013).
- ^ Nikkan Sports (2001).
- ^ Ball (2003).
- ^ International Press Academy (2003).
- ^ Macdonald (2003b).
- ^ Phillips (2003).
- ^ Green (2002).
- ^ West (2022).
- ^ Talbot (2005).
- ^ Osaki (2013).
- ^ Wellham (2016).
- ^ International Animated Film Association (2006).
- ^ 94.0 94.1 94.2 94.3 Box Office Prophets.
- ^ Anime News Network (2005).
- ^ China Daily (2006).
- ^ Japan Media Arts Festival (2004).
- ^ Macdonald (2005).
- ^ Locus (2011b).
- ^ Macdonald (2006).
- ^ Hernandez (2005).
- ^ McCullough (2022).
- ^ 103.0 103.1 Vivarelli (2005).
- ^ The Japan Times (2004).
- ^ Ball (2008).
- ^ Landreth (2009).
- ^ Loo (2009b).
- ^ Koulikov (2009).
- ^ Chicago Film Critics Association.
- ^ Hong Kong Film Awards (2010).
- ^ Loo (2009a).
- ^ Online Film Critics Society (2010).
- ^ Schilling (2009).
- ^ Transilvania International Film Festival.
- ^ Washington D.C. Area Film Critics Association (2009).
- ^ Keegan (2013).
- ^ Ma (2014).
- ^ Loveridge (2014).
- ^ The Japan Times (2014).
- ^ Stephens (2013).
- ^ Loveridge (2013b).
- ^ 122.0 122.1 Loveridge (2013c).
- ^ Jorgenson (2013).
- ^ Alliance of Women Film Journalists (2013).
- ^ Uproxx (2013b).
- ^ Lodge (2014).
- ^ Hodgkins (2013).
- ^ Tapley (2013).
- ^ IndieWire (2014).
- ^ Green (2014).
- ^ The Nikkei (2014).
- ^ Amidi (2013).
- ^ Sports Nippon (2014).
- ^ Mill Valley Film Festival.
- ^ Lewis (2013).
- ^ Cavna (2014).
- ^ Adams (2013a).
- ^ Variety (2013).
- ^ Online Film Critics Society (2013).
- ^ Lodge (2013).
- ^ Loveridge (2013a).
- ^ Blake (2015).
- ^ Uproxx (2013a).
- ^ Loo (2014).
- ^ Lacey (2013).
- ^ Loo (2013).
- ^ Adams (2013b).
- ^ Gordon (2013).
- ^ Pond (2013).
- ^ Hodgkins (2022).
- ^ Metacritic.
- ^ Brzeski (2023).
- ^ Pulver (2024).
- ^ Hipes (2024).
- ^ Flores (2024).
- ^ Feinberg (2024).
- ^ Grein (2024).
- ^ Whittaker (2024).
- ^ 159.0 159.1 Davis (2023b).
- ^ Youngs (2024).
- ^ Jevens (2023).
- ^ Tallerico (2023).
- ^ Rich (2023).
- ^ Martin (2023).
- ^ Coates (2024).
- ^ Tangcay, Thompson & Wu (2024).
- ^ Hazra (2024).
- ^ Florida Film Critics Circle (2023).
- ^ Anderson (2024a).
- ^ Neglia (2024b).
- ^ Giardina (2024).
- ^ Darling (2024).
- ^ Vijn (2023).
- ^ Keslassy (2024).
- ^ Anderson (2024b).
- ^ Barsanti (2024).
- ^ Dalton (2024).
- ^ Ramachandran (2023).
- ^ Hodgkins (2024).
- ^ 180.0 180.1 Davis (2023c).
- ^ Davis (2023a).
- ^ Neglia (2024c).
- ^ Neglia (2023).
- ^ San Francisco Chronicle (2024).
- ^ Anderson (2024c).
- ^ Neglia (2024a).
- ^ Anderson (2023c).
- ^ Anderson (2023b).
- ^ Lang (2023).
- ^ Anderson (2023a).
- ^ Animations (2008).
- ^ International Animated Film Association (2013).
- ^ International Animated Film Association (1998).
- ^ Rowe (2009).
- ^ Komatsu (2012).
- ^ Morgan (2014).
- ^ World Fantasy Convention (2019).
- ^ Abad (2024).
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书籍来源
编辑- Camp, Brian; Davis, Julie. Anime Classics Zettai!: 100 Most-See Japanese Animation Masterpieces. Berkeley: Stone Bridge Press. 2007. ISBN 978-1-9333-3022-8.
- Kanō, Seiji. 宮崎駿全書 [宫崎骏全书] 2nd. Tokyo: Film Art Inc. 2006: 34–73, 323. ISBN 978-4-8459-0687-1 （日语）.
- Kelly, Paul (编). The International Who's Who 2. Routledge. 2019. ISBN 978-0-367-27815-1.
- Lenburg, Jeff. Hayao Miyazaki: Japan's Premier Anime Storyteller. New York City: Infobase Publishing. 2012. ISBN 978-1-60413-841-2.
- McCarthy, Helen. Hayao Miyazaki: Master of Japanese Animation 2002. Berkeley: Stone Bridge Press. 1999. ISBN 978-1-8806-5641-9.
- McCarthy, Helen. Teenage Wildlife: Princess Mononoke and Hayao Miyazaki's Theory of the Feminine. Denison, Rayna (编). Princess Mononoke: Understanding Studio Ghibli's Monster Princess. Bloomsbury Academic. 2019: 97–114. ISBN 978-1-5013-2976-0. doi:10.5040/9781501329753.ch-005.
- Miyazaki, Hayao. Turning Point, 1997–2008. 由Cary, Beth; Schodt, Frederik L.翻译 2014. San Francisco: Viz Media. 2009. ISBN 978-1-4215-6090-8.
- Pangilinan, Michelle (编). The Art of My Neighbor Totoro. Viz Media. March 2013. ISBN 978-1-5911-6698-6.
- Reinders, Eric. The Moral Narratives of Hayao Miyazaki. Jefferson, NC: McFarland & Company. October 14, 2016. ISBN 978-1-4766-6452-1.
- Schwartz, Ronald. Great Spanish Films Since 1950 . Lanham, MD: Scarecrow Press. 2008. ISBN 978-0-8108-5405-5.
期刊来源
编辑- Akimoto, Daisuke. Ratelle, Amy , 编. A Pig, the State, and War: Porco Rosso (Kurenai no Buta). Animation Studies (Society for Animation Studies). October 1, 2014, 9 [June 3, 2017]. （原始内容存档于January 25, 2018）.
- Avery, Laura (编). Hayao Miyazaki. Newsmakers (Gale). 2006, (2). ISSN 0899-0417.
- Loy, David; Goodhew, Linda. The Dharma of Miyazaki Hayao: Revenge vs. Compassion in Nausicaa and Mononoke. 文教大学国际学部纪要 Journal of the Faculty of International Studies (Bunkyo University). February 2004, 14 (2): 67–75.
- Noviana, Fajria. Moral Values in Hayao Miyazaki's Spirited Away: A Sociology of Literature Approach. Humanika (Diponegoro University). 2020, 27 (1): 23–32. ISSN 2502-5783. doi:10.14710/humanika.v27i1.30548
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