實驗搖滾
提示：此條目的主題不是前衛搖滾。實驗搖滾（英語：Experimental rock），又稱先鋒搖滾（Avant-rock）是搖滾樂的一種亞流派，[3]它突破了常見作曲和傳統演奏技巧的界限，或對搖滾樂的基本元素進行實驗。[12]音樂家們以解放和創新為目標，該流派的一些顯著特點包括即興演奏、前衛影響、使用奇特的樂器、晦澀的歌詞（或器樂演奏）、非正統的結構和節奏，以及對商業願望的基本排斥。[4]
| 實驗搖滾 | |
|---|---|
 | |
| 其他名稱 | 先鋒搖滾[2] |
| 風格起源 | |
| 文化起源 | 1960年代的英國和美國 |
| 衍生形式 | |
| 類型分支 | |
| 其他主題 | |
從搖滾樂誕生開始，搖滾樂就是帶有實驗性的音樂流派，但是直到1960年代後期多軌錄音進步後，搖滾音樂家才開始運用此技術創造更長、更複雜的作曲。在德國，音樂家融合了即興演奏、迷幻搖滾、電子音樂、前衛音樂和當代古典音樂等音樂元素，創造出了「酸菜搖滾」。1970年代後期，隨著朋克搖滾、新浪潮、DIY音樂和實驗音樂的發展，出現了一場重要的音樂雜交。放克、爵士搖滾和融合爵士樂也融入進了實驗搖滾。
1980年代初期的實驗搖滾樂隊所創作的音樂幾乎沒有可直接參考的先例。80年代末，實驗搖滾開始追求一種迷幻美學，與後朋克所追求的自省性和警惕性形成差別。在1990年代，後搖滾運動成為實驗搖滾的主流形式。到了2010年代，「實驗搖滾」已經被濫用。
參考資料
編輯- ^ Greene 2016，第182頁.
- ^ EXPERIMENTAL ROCK (AVANT-ROCK). 獨立報. [2016-02-16]. （原始內容存檔於2020-06-21）.
- ^ 3.0 3.1 Rosenberg 2009，第179頁.
- ^ 4.0 4.1 Experimental Rock. AllMusic. [2016-02-16].
- ^ Pop/Rock » Art-Rock/Experimental » Prog-Rock. AllMusic.
- ^ Morse 2009，第144頁.
- ^ Savage, Jon. Elektronische musik: a guide to krautrock. 衛報. 2010-03-30.
- ^ 8.0 8.1 8.2 8.3 Osborn, Brad. Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres*. Music Theory Online. 2011-10, 17 (3). doi:10.30535/mto.17.3.4
. hdl:1808/12360 .
- ^ Lawrence 2009，第344頁.
- ^ Post-Rock. AllMusic.
- ^ Post-rock. Encyclopædia Britannica. n.d.
- ^ Martin 1998，第93頁.
參考書目
編輯- Ashby, Arved Mark (編). The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Boydell & Brewer. 2004. ISBN 978-1-58046-143-6.
- Blake, Andrew. Recording practices and the role of the producer. Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel (編). The Cambridge Companion to Recorded Music. Cambridge University Press. 2009. ISBN 978-1-139-82796-6.
- Bogdanov, Vladimir (編). All Music Guide to Electronica
. Backbeat Books. 2001. ISBN 0-87930-628-9. - Edmondson, Jacqueline (編). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. 2013. ISBN 978-0-313-39348-8.
- Faulk, Barry J. British Rock Modernism, 1967-1977: The Story of Music Hall in Rock. Routledge. 2016. ISBN 978-1-317-17152-2.
- Gillett, Charlie. The Sound of the City: The Rise of Rock and Roll. Perseus Books Group. 1984. ISBN 978-0-306-80683-4.
- Greene, Doyle. Rock, Counterculture and the Avant-Garde, 1966-1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. McFarland. 2016. ISBN 978-1-4766-2403-7.
- Lowe, Kelly Fisher. The Words and Music of Frank Zappa. U of Nebraska Press. 2007. ISBN 978-0-8032-6005-4.
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- Martin, Bill. Listening to the Future: The Time of Progressive Rock, 1968–1978. Open Court. 1998. ISBN 0-8126-9368-X.
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- Morse, Erik. Spacemen 3 And The Birth Of Spiritualized. Omnibus Press. 2009. ISBN 978-0-85712-104-2.
- Wall, Mick. Love Becomes a Funeral Pyre. UK: Hachette. October 30, 2014. ISBN 978-1409151258.
- Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber. 2005. ISBN 978-0-571-21570-6.
- Rosenberg, Stuart. Rock and Roll and the American Landscape: The Birth of an Industry and the Expansion of the Popular Culture, 1955-1969. iUniverse. 2009. ISBN 978-1-4401-6458-3.
- Schaffner, Nicholas. Saucerful of Secrets: The Pink Floyd Odyssey . Dell. 1992: 223. ISBN 978-0-385-30684-3.
- Simonelli, David. Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. Lanham, MD: Lexington Books. 2013. ISBN 978-0-7391-7051-9.
- Smith, Chris. The Greenwood Encyclopedia of Rock History: From arenas to the underground, 1974-1980. Greenwood Press. 2006. ISBN 978-0-313-33611-9.
- Stubbs, David. Fear of Music: Why People Get Rothko But Don't Get Stockhausen. John Hunt Publishing. 2009. ISBN 978-1-84694-179-5.
- Stuessy, Joe; Lipscomb, Scott David. Rock and Roll: Its History and Stylistic Development. Prentice Hall Higher Education. 2009. ISBN 978-0-13-601068-5.
- Unterberger, Richie. Unknown Legends of Rock 'n' Roll. Hal Leonard Corporation. 1998. ISBN 978-1-61774-469-3.
