实验摇滚
提示：此条目页的主题不是前卫摇滚。实验摇滚（英語：Experimental rock），又称先锋摇滚（Avant-rock）是摇滚乐的一种亚流派，[3]它突破了常见作曲和传统演奏技巧的界限，或对摇滚乐的基本元素进行实验。[12]音乐家们以解放和创新为目标，该流派的一些显著特点包括即兴演奏、前卫影响、使用奇特的乐器、晦涩的歌词（或器乐演奏）、非正统的结构和节奏，以及对商业愿望的基本排斥。[4]
| 实验摇滚 | |
|---|---|
 | |
| 其他名稱 | 先锋摇滚[2] |
| 風格起源 | |
| 文化起源 | 1960年代的英国和美国 |
| 衍生形式 | |
| 類型分支 | |
| 其他主題 | |
从摇滚乐诞生开始，摇滚乐就是带有实验性的音乐流派，但是直到1960年代后期多轨录音进步后，摇滚音乐家才开始运用此技术创造更长、更复杂的作曲。在德国，音乐家融合了即兴演奏、迷幻摇滚、电子音乐、前卫音乐和当代古典音乐等音乐元素，创造出了“酸菜摇滚”。1970年代后期，随着朋克摇滚、新浪潮、DIY音乐和实验音乐的发展，出现了一场重要的音乐杂交。放克、爵士摇滚和融合爵士乐也融入进了实验摇滚。
1980年代初期的实验摇滚乐队所创作的音乐几乎没有可直接参考的先例。80年代末，实验摇滚开始追求一种迷幻美学，与后朋克所追求的自省性和警惕性形成差别。在1990年代，后摇滚运动成为实验摇滚的主流形式。到了2010年代，“实验摇滚”已经被滥用。
参考资料
编辑- ^ Greene 2016，第182頁.
- ^ EXPERIMENTAL ROCK (AVANT-ROCK). 独立报. [2016-02-16]. （原始内容存档于2020-06-21）.
- ^ 3.0 3.1 Rosenberg 2009，第179頁.
- ^ 4.0 4.1 Experimental Rock. AllMusic. [2016-02-16].
- ^ Pop/Rock » Art-Rock/Experimental » Prog-Rock. AllMusic.
- ^ Morse 2009，第144頁.
- ^ Savage, Jon. Elektronische musik: a guide to krautrock. 卫报. 2010-03-30.
- ^ 8.0 8.1 8.2 8.3 Osborn, Brad. Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres*. Music Theory Online. 2011-10, 17 (3). doi:10.30535/mto.17.3.4
. hdl:1808/12360 .
- ^ Lawrence 2009，第344頁.
- ^ Post-Rock. AllMusic.
- ^ Post-rock. Encyclopædia Britannica. n.d.
- ^ Martin 1998，第93頁.
参考书目
编辑- Ashby, Arved Mark (编). The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Boydell & Brewer. 2004. ISBN 978-1-58046-143-6.
- Blake, Andrew. Recording practices and the role of the producer. Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel (编). The Cambridge Companion to Recorded Music. Cambridge University Press. 2009. ISBN 978-1-139-82796-6.
- Bogdanov, Vladimir (编). All Music Guide to Electronica
. Backbeat Books. 2001. ISBN 0-87930-628-9. - Edmondson, Jacqueline (编). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. 2013. ISBN 978-0-313-39348-8.
- Faulk, Barry J. British Rock Modernism, 1967-1977: The Story of Music Hall in Rock. Routledge. 2016. ISBN 978-1-317-17152-2.
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- Greene, Doyle. Rock, Counterculture and the Avant-Garde, 1966-1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. McFarland. 2016. ISBN 978-1-4766-2403-7.
- Lowe, Kelly Fisher. The Words and Music of Frank Zappa. U of Nebraska Press. 2007. ISBN 978-0-8032-6005-4.
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- Martin, Bill. Listening to the Future: The Time of Progressive Rock, 1968–1978. Open Court. 1998. ISBN 0-8126-9368-X.
- Martin, Bill. Avant Rock: Experimental Music from the Beatles to Bjork. Open Court Publishing Company. 2015. ISBN 978-0-8126-9939-5.
- Morse, Erik. Spacemen 3 And The Birth Of Spiritualized. Omnibus Press. 2009. ISBN 978-0-85712-104-2.
- Wall, Mick. Love Becomes a Funeral Pyre. UK: Hachette. October 30, 2014. ISBN 978-1409151258.
- Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber. 2005. ISBN 978-0-571-21570-6.
- Rosenberg, Stuart. Rock and Roll and the American Landscape: The Birth of an Industry and the Expansion of the Popular Culture, 1955-1969. iUniverse. 2009. ISBN 978-1-4401-6458-3.
- Schaffner, Nicholas. Saucerful of Secrets: The Pink Floyd Odyssey . Dell. 1992: 223. ISBN 978-0-385-30684-3.
- Simonelli, David. Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. Lanham, MD: Lexington Books. 2013. ISBN 978-0-7391-7051-9.
- Smith, Chris. The Greenwood Encyclopedia of Rock History: From arenas to the underground, 1974-1980. Greenwood Press. 2006. ISBN 978-0-313-33611-9.
- Stubbs, David. Fear of Music: Why People Get Rothko But Don't Get Stockhausen. John Hunt Publishing. 2009. ISBN 978-1-84694-179-5.
- Stuessy, Joe; Lipscomb, Scott David. Rock and Roll: Its History and Stylistic Development. Prentice Hall Higher Education. 2009. ISBN 978-0-13-601068-5.
- Unterberger, Richie. Unknown Legends of Rock 'n' Roll. Hal Leonard Corporation. 1998. ISBN 978-1-61774-469-3.
