舞蹈主題

Der Kinderreigen

舞蹈八大藝術之一,是於三度空間中以身體為語言作「心智交流」現象之人體的運動表達藝術,一般有音樂伴奏,以有節奏的動作為主要表現手段的藝術形式。它一般藉助音樂,也藉助其他的道具。舞蹈本身有多元的社會意義及作用,包括運動社交求偶祭祀禮儀等。

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Gaskell Ball
Ballroom dance, refers collectively to a set of partner dances, which originated in the Western world and are now enjoyed both socially and competitively around the globe. Its performance and entertainment aspects are also widely enjoyed on stage, in film, and on television.

While historically ballroom dance may refer to any form of formal social dancing as recreation, with the eminence of dancesport in modern times the term has become much narrower in scope, usually referring specifically to the International Standard and International Latin style dances (see dance groupings below). In the United States, two additional variations—"American Smooth" and "American Rhythm"—have also been popularized and are commonly recognized as styles of "ballroom dance".

The term "ballroom dancing" is derived from the word ball, which in turn originates from the Latin word ballare which means "to dance". In times past, ballroom dancing was "social dancing" for the privileged, leaving "folk dancing" for the lower classes. These boundaries have since become blurred, and it should be noted even in times long gone, many "ballroom" dances were really elevated folk dances.

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提供者:Jane Avril by Toulouse-Lautrec

The can-can (also spelled cancan, Can Can) is regarded today primarily as a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, harking back to the fashions of the 1890s. The main features of the dance are the lifting up and manipulation of the skirts, with high kicking and suggestive, provocative body movements.

特色傳記

Mikhail Nikolaevitch Baryshnikov (俄語:Михаил Николаевич Барышников) (born January 28, 1948) is a famous Russian dancer, choreographer, and actor.

Baryshnikov, whose name is sometimes transliterated as Baryshinikov or Barishinikov, was born in Riga, Latvia to Russian parents. His mother enrolled him in the School of Theatre Opera Ballet in Riga when he was twelve. In time, he decided to follow a career as a dancer.

Baryshnikov was a unique dancer in many ways. He was short and thus had to work hard to prove his suitability for roles such as Siegfried in Swan Lake where a taller, more noble bearing was expected. His dancing was renowned for its textbook form, technical brilliance, and emotional detachment.

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